I Like That!

Showing posts with label marble. Show all posts
Showing posts with label marble. Show all posts

Tuesday, November 30, 2010

A Stone Cut Out of the Mountain Pt. II

Well, I have to tell you, my determination really paid off.  Tell me how this sounds: I was abandoned, neglected, and rarely talked about for 25 years while the big wigs tried to figure out what to do with me.  And not only that, I was abandoned and neglected outside!  In the elements!  Sounds great, right?  You're right.  It wasn't great.  I remember thinking to myself, "Well, you really showed them up, didn't you?  All this rain and wind and snow and blazing sun are really doing wonders for my texture and durability!  What was I thinking?!"  And so for 25 long years I sat there, worthless, dejected and beaten by the storms. 

The turn of the sixteenth century (that's 1500 for all you math whizzes out there) found me less-than enthused; in fact, I had just about given up hope on ever becoming anything more than a poorly-formed, misshapen hunk of rock.  Then one day, the patrons of the cathedral where I was stationed came rushing in, shouting the name of some new artist they had found--"a real prodigy! a Master!" they had said.  Well you can bet how excited I was after being treated by the last "master" they'd sent my way, but I figured anything at this point would be better than what I'd been doing for the last two-and-a-half decades.  They acclaimed him as the most promising sculptor of the new age ("Renaissance", they called it), for he had completed a most beautiful statue the year prior, which they called La Pieta.  I was intrigued by their accolades, but held my peace until I could see firsthand who this man really was. 

They called him "Michelangelo".

I will never forget that September morning when that graceful young man approached me on the sculpting platform.  He was so different than the last man who had come to chisel on me that for a while I was simply stunned by his demeanor.  He didn't even touch the chisel that first day.  I will never forget this as long as I stand: he came up and greeted me, calling me his friend.  He then laid his hands on my sides, not in a probing, caustic way, but with the touch of a Master--I don't know how to explain it other than that.  He examined what had been done on my corner so long ago by the other sculptor, shaking his head and saying he had done me wrong.  Then he sat down, with his back against mine, pondering and sketching on paper how he would work his plan; every stroke of his charcoal, every look and every movement seemed to be calculated with divine precision.  He considered my every angle and niche; where my marbling was most durable and where it was weaker; and even some qualities I had not recognized in myself.  He spoke his thoughts, not to himself, but to me, as if he felt my considerations were important.  I tell you, I was so enraptured by this young man's care, that when he left that day, I longed for him to return.  It was an experience that caught me quite off-guard.



As the extra stone came down, so did the walls
 I had built around my heart
 
As the weeks passed, I began to see that it was not just his preparation that was calculated and caring, but his execution as well.  He worked his plan with great skill and precision, knocking off every bit of excess that I could not help but be grateful that the superfluous stone was gone.  As the chunks of extra stone came down, so did the walls I had built around my heart toward this Master.  Sure, the chiseling was still uncomfortable, but he made sure I was becoming something more, something worthy of the highest accolades and honors.  Oftentimes I would get frustrated, not knowing where his chisel would fall, and when it did, why he would strike there, but in time I learned to trust his skill and rely on his masterful plan; indeed, I began to see myself shaping into the form of someone graceful and mighty, as I never had before supposed.

Truly this was what I was meant to become.

To be continued...

Image from http://www.carraramarble.it/images_en/products/blocks/marbles_bianco_venato_standard.jpg

Friday, November 26, 2010

A Stone Cut Out of the Mountain Pt. I

You might think this weird, reading a story written by a block of stone--Italian marble, to be precise--but that's what you're doing.  It has never been an easy life, as you might expect, but I hope my story helps you fleshier folks appreciate what you've got.  It's not much, but here it goes.


My home--Carrara Quarry, Italy

I was born over three hundred thousand... well, you don't want to hear about that long ago do you?  That's boring.  Mostly just lava and hot and... yeah.  Fast-forward to the year 1464.  I was discovered and roughly hewn from the warmth of Mother Earth in my home of Carrara, a marble quarry in the Italian Alps.  I was, needless to say, a little upset.  After being jostlingly carted to the city of Florence, I was taken to a large building where men of all shapes and sizes examined me over and over, feeling every bump and scrutinizing every surface (quite embarrassing, if you think about it).  They told one another of my great potential, how priceless and beautiful I was (my narcissism got the best of me there), how only the greatest sculptor, a Master, would be able to form me into the perfect statue.  They mentioned how I was to become a great and marvelous statue to personify some other man who had been dead for centuries.  All narcissism aside, that didn't exactly sound like my cup of tea. 

 "Great," I said to myself.  "They don't even care about what I want!  All they can think of is their selfish pursuits!  Well!  We'll see who erodes first!"

Finally, a man named Agostino was selected to "shape me up" into this statue or whatever.  I can still remember the first day he walked into the studio--he didn't look like much of a "Master" to me, but hey, I'm just an eons-old hunk of rock, what do I know, right?  He strode onto the platform, picked up his chisel and hammer, looked at me for a few minutes, and then BANG!! Right in my side!  Oh how it hurt!  and it didn't stop!  BANG, BANG, BANG! Oh boy, it still makes me cringe just to think about it.  I hated the chiseling!  It was so bad that first day that I said to him "Hey! what are you doing?!  you think that feels good?!"  But he wouldn't listen.  He just kept on chiseling!  So again I say to him "Hey!  Cut that out!... no don't cut that out of me, I mean stop!  It is really uncomfortable!!"  Nothing.  Day after day I pleaded, begged, and almost grovelled (not "gravelled", that's something different) for him to stop; despite my pleas, he still chipped, brushed, and pounded away at my beautiful marble, leaving a strange-looking lump where my corner used to be.  I wasn't altogether happy about this. 

So I decided to think very hard thoughts, hoping to toughen up enough to break that puny little chisel of his, or at least make him tired enough to want to stop.  Well, guess what--it worked.  Now, the historians will tell you a more complicated story about how Agostino needed some time off, then a man named Rossellino stepped in but couldn't quite hack it (no pun intended)... No.  I was the one who bested them.  I knew better than they what my potential was!  A statue?  No.  No man could be as majestic or glorious as I; no man would catch the public's gaze as could my brilliant marble sheen; and certainly, no "Master" could ever design a product as magnificent and breath-taking as a block of Carraran marble!

...Or so I thought. 

...They called him "Michaelangelo"...


To be continued...


Image from: http://www.artinfo.com/media/image/4154/BurtynskyCarraraMarbleQuarries.jpg
Historical info from: http://en.wikipedia.org/wiki/David_(Michelangelo)

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